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I.

The borders of lights a and c and that of the top part of b are made of fragments of medieval glass; these are catalogued over the whole light after the other panels in each light.

1a. Roundel: a bird standing facing to sinister, wings displayed, on a hilly landscape with trees and plants, holding a scroll in its beak with a blackletter inscription, the reading of which is doubtful: 'Ele riat'. Possibly a rebus. Yellow-stain border on upper half of roundel and separate purple border with a painted design that may be original. ¹⁶ White and purple glass, with trace-line, matt wash, relieving, and yellow stain. Late 15th-c. External corrosion, heavy on border, light on roundel; some paint loss.
d 0.23m
DK (2008)

2a. A large heater-shaped shield with the arms of Fitz-Simon, Gules 3 chess-rooks ermine, set on a blue octofoil circular background with seaweed diaper and ruby border with pierced cusping. White, ruby and blue glass, with trace-line, stipple shading, matt wash, and relieving. c.1408–12. All blue and nearly all ruby glass is now opaque – the decoration is described from earlier photographs; several lead lines.
d 0.38m
G. King & Son (1957–59, col. trans., CVMA inv. no. 011222)

3a. Heater-shaped shield with the arms of Bourchier dimidiating Louvaine, Argent a cross engrailed between 4 water bougets sable, with an annulet or for difference, dimidiating Gules a fess argent between 13 billets or ,4, 3, 3, 2, 1. This shield is for William de Bourchier (d.1375), second son of John de Bourchier; he married Eleanor de Louvaine (d.1397). White and ruby glass, with trace-line, matt wash, and yellow stain. 1345–75. Ruby glass very corroded; one repair lead; some paint loss on Bourchier arms.
h 0.22m, w 0.195m
G. King & Son (1957–59, col. trans., CVMA inv. no. 011222)

4a. Roundel; 'IHC' with blackletter initials on pot-yellow glass with a patterned blue border. Late 14th/15th-c. Two repair leads on roundel, which has exterior corrosion; border nearly opaque with corrosion and patched in two places.
d 0.165m
DK (2008)

Borders. Border pieces with a crowned Marian monogram, a pattern based on a fleur-de-lys, a lozenge pattern, and a rod-and-leaf pattern, interspersed with pieces of blue and ruby glass. Mainly 15th-c.
h 2.20m, w 0.55m (whole light)
G. King & Son (1957–59, col. trans., CVMA inv. no. 011222)

1b. Crucifixion in memory of Frederick Gooch, 1878.

2b. A large heater-shaped shield with the arms of Noone, Or a cross engrailed vert. Setting and technique as 2a, but with pot-yellow and green glass on shield and pink border. c.1408–12. All the pink glass and nearly all the blue glass now opaque; two pieces of cross replaced by modern white glass; several repair leads.
d 0.36m
DK (2008)

Borders. Fragments, including along the bottom large Ss (presumably chosen by the 19th-c glazier to stand for Saxlingham), with very corroded ?purple pieces; and at the sides crowned Marian monograms and vine leaf (14th-c), and rod-and-leaf ornament and border pieces with pieces of plain ruby (15th-c).
h 0.795m, w 0.54m (above 1b)
DK (2008)

1c. Roundel: Evangelist symbol of St Matthew. ¹⁷ The angel kneels facing to dexter, wearing a white alb, left hand raised, holding in his right the end of a scroll bearing the inscription in blackletter 'S(anctus) Mathe(us) '. Background with white circles and relieved cusped border and separate purple border. c.1425 – c.1450. Some exterior corrosion; paint loss; two repair leads; purple glass corroded.
d 0.22m
DK (2008)

2c. A large heater-shaped shield with the arms of Verdon, Sable a lion rampant argent. Setting and technique as 2a. c.1408–12. Blue background modern; ruby border very corroded; shield in good condition.
d 0.37m
G. King & Son (1957–59, col. trans., CVMA inv. no. 011221)

3c. A shield with the arms of Morley (Argent a lion rampant sable armed, crowned and langued or) impaling Delapole (Azure a fesse between 3 leopards’ faces or) quartering Wingfield (Argent on a bend gules 3 pairs of wings conjoined in lure or), for Thomas Lord Morley (1392–1435), who married Isabel Delapole, daughter of Michael Delapole, 2nd Earl of Suffolk (1367–1415). Isabel died in 1466, and the marriage took place before 1402/3. The argent fields are diapered; that of Morley has relieved circles. 1402/3–1435. White, blue, ruby and pot-yellow glass, with thin and thick matt washes, relieving, and yellow stain. Top part of the bend on quarter two is missing; ruby bends very corroded; lesser corrosion on the blue and pot-yellow glass; dexter implement has one repair lead.
h 0.195m, w 0.16m
G. King & Son (1957–59, col. trans., CVMA inv. no. 011221)

4c. Roundel: Marian monogram with a separate blue border. The monogram has a cusping on the border and inside the 'M'. Pot-yellow and blue glass, with trace-line. Late 14th-c/15th-c. Blue border made up of fragments; pot-yellow glass has some exterior corrosion and one repair lead.
d 0.165m
DK (2008)

Borders. As light a.
h 2.21m, w 0.56m (whole light)
G. King & Son (1957–59, col. trans., CVMA inv. no. 011221)

A1–2. Eyelets with plain ruby glass, probably intruded.
measurements not available
G. King & Son (1957–59, col. trans., CVMA inv. no. 011220)

B1. Pentecost, with the Apostles standing either side of the Virgin Mary, and a dove at the top set against a glory, from which descend rays of light, all within a canopied niche with a blue-seaweed-diaper background. White and blue glass, with trace-line, stipple shading, matt wash, relieving, and yellow stain. c.1408–12. Head of the Virgin replaced by a male medieval head; most of the canopy top, except the lowest section, appears not to be original, although of similar date; ¹⁸ bottom of panel missing and patched with fragments of later 15th-c ornament; some of the Apostles lower right missing; a few pieces of the side-shafting replaced; Virgin’s mantle in white glass has corroded badly since 1959, although already affected then; nlue background nearly opaque.
h 0.905m, w 0.21m
G. King & Son (1957–59, col. trans., CVMA inv. no. 011220)

B2. God the Father, from the Coronation of the Virgin sits in a canopied niche against a ruby-seaweed-diaper background, facing to sinister, wearing a crown, nimbus and white mantle and robe, holding a tripartite orb in his left hand and pointing to the Virgin in B3 with his right. Technique as B1. c.1408–12. Lower part of the figure and bottom of the panel missing; figure made up with part of another seated figure; fragments at base include triangular pieces with foliage and a quatrefoil border, and parts of a chequered pedestal (which could come from this window); moderate brown corrosion on original glass.
h 0.865m, w 0.21m
G. King & Son (1957–59, col. trans., CVMA inv. no. 011220)

B3. The Virgin Mary, from the Coronation of the Virgin sits in a canopied niche against a blue-seaweed-diaper background, facing to dexter, wearing a crown, nimbus and white mantle and robe, with both hands raised in prayer. Technique as in B1. c.1408–12. Middle section of figure replaced with fragments of drapery; bottom of panel missing and patched with a piece of later chequered pedestal and triangular pieces as in B2; figure, background and most of canopy badly corroded.
h 0.89m, w 0.22m
G. King & Son (1957–59, col. trans., CVMA inv. no. 011220)

B4. The Ascension of Christ within a canopied niche against a ruby-seaweed-diaper background. The feet and part of the robe of Christ are seen disappearing into a blue cloud, while below the Apostles look up in adoration dressed in white mantles and robes. At the bottom are clifflets and plants. Technique as B1. c.1408–12. Some heads on left patched with fragments, as also top part of canopy; much less corrosion here; several repair leads.
h 0.89m, w 0.22m
G. King & Son (1957–59, col. trans., CVMA inv. no. 011220)

C1. Fragments of later 15th-c ornament. White glass, with matt wash, relieving, stipple shading, and yellow stain.
h 0.405m, w 0.135m
G. King & Son (1957–59, col. trans., CVMA inv. no. 011220)

C2. Foliage eyelet filling. White glass, with trace-line, matt wash, and relieving. c.1408–12. Badly corroded; bottom lobe replaced by a later fragment.
h 0.405m, w 0.135m
G. King & Son (1957–59, col. trans., CVMA inv. no. 011220)

D1–2. Eyelet filling with ?pot-yellow fragments of flowers and a later triple-quatrefoil flower ornament on white glass with yellow stain. 15th-c. Repair leads; and some corrosion.
h 0.16m, w 0.06m
G. King & Son (1957–59, col. trans., CVMA inv. no. 011220)

E1. Modern roundel: 'IHS' on glory, with medieval fragments in bottom foil and at sides and top, including part of sunburst. 15th-c.
h 0.33m, w 0.27m
G. King & Son (1957–59, col. trans., CVMA inv. no. 011220)

nII.

1a. St Jerome, from a set of the Four Doctors of the Church, nimbed, sits facing to sinister at a sloping desk with ears-of-barley pattern on a bench with finials along the back, and wearing a cardinal’s hat with tassel and white mantle and robe, placing his left hand on the desk, from which hangs an inkhorn, and holding a scroll with his right, bearing in blackletter 'S(an)c(tu)s ieronime '[sic]’. At the bottom are plants. ¹⁹ White and ruby glass, with trace-line, stipple shading, and yellow stain. c.1440 – c.1450. Part of right-hand side missing and replaced with fragments; no background above figure survives. Set on modern plain quarries.
h 0.425m, w 0.24m
G. King & Son (1957–59, col. trans., CVMA inv. no. 011225); G. Plumb (1989, col. trans., CVMA inv. no. 014616)

2a. Fragmentary figure of St Gregory, from a set of the Four Doctors of the Church, sitting at a desk on a bench as in 1a, holding the end of a scroll that bears in blackletter 'S(an)c(tu)s Gregor[ius] ', the letters of his name being truncated at the top. ²⁰ Technique as 1a. c.1440 – c.1450. Head missing, also lower point of panel and arms; many repair leads. Set on modern plain quarries.
h 0.235m, w 0.205m
DK (2008)

3a. Angel carrying instruments of the Passion standing wearing a white robe, holding a scourge in the right hand and three nails in the left. ²¹ White glass, with trace-line and stipple shading. c.1440 – c.1450. The head of a matching angel has been added to this figure making it face to sinister instead of to dexter. Fragments of wings have been added top right and left and lower down on the left, but this angel was never winged. Head truncated on left. Set on modern plain quarries.
h 0.395m, w 0.17m
G. King & Son (1957–59, col. trans., CVMA inv. no. 011223); NMR BH514_19 (1979, col. trans., CVMA inv. no. 016814); G. Plumb (1989, col. trans., CVMA inv. no. 014614)

1b. St Ambrose, from a set of the Four Doctors of the Church, sitting facing to dexter at a sloping desk with ears-of-barley pattern on a bench with finials along the back, wearing a white chasuble and alb, placing his left hand on the desk, from which hangs an inkhorn, and raising his right hand. A scroll hangs from the desk bearing in blackletter 'S(an)c(tu)s ambrosiu(s) '. ²² Technique as 1a. c.1440 – c.1450. Head, pen in right hand, and part of right arm missing, as well as top of bench and bottom of panel; a little exterior corrosion; several repair leads. Set on modern plain quarries.
h 0.32m, w 0.24m
G. Plumb (1989, col. trans., CVMA inv. no. 014624)

2b. Fragmentary figure of St Augustine, from a set of the Four Doctors of the Church, nimbed, sitting facing to dexter on a bench at a sloping desk, wearing a white mantle and holding the top of a scroll in his left hand, which bears in blackletter parts of two letters. ²³ Technique as 1a. c.1440 – c.1450. Much of torso and right arms missing; sides made up with fragments; many repair leads. Set on modern plain quarries.
h 0.31m, w 0.205m
G. Plumb (1989, col. trans., CVMA inv. no. 014625)

3c. Censing angel standing nimbed facing to dexter, wearing a white robe and swinging a censer with the left hand. White glass, with trace-line and stipple shading. c.1440 – c.1450. Various fragments have been added to this figure, including a 14th-c censer with part of a wing, several pieces of wings, a head wearing a bonnet, perhaps from elsewhere in the original window, and part of a glory. Moderate exterior pitting; many repair leads. Set on modern plain quarries.
h 0.395m, w 0.32m
G. King & Son (1957–59, col. trans., CVMA inv. no. 011224); G. Plumb (1989, col. trans., CVMA inv. no. 014615)

sII.

The borders of lights a and b are made of fragments of medieval glass; these are catalogued over the whole light after the other panels in each light.

1a. The martyrdom of St Edmund, king and martyr takes place in an oval medallion with a white border with meander-and-dot pattern. On the left stands St Edmund, facing forwards and tied by his wrists to a green tree, naked except for a loose yellow garment round his waist. His right foot overlaps the border. At least seven arrows pierce his left side. On the right stands the archer, firing another arrow at Edmund, wearing yellow hose, his right heel extending beyond the border. Both stand on a green sward against a blue sky. White, blue, pot yellow and green glass, with trace-line and thin matt wash. c.1250. Both heads missing and replaced on left by 15th-c head and on right by piece of 15th-c ornament; tunic of archer also missing, patched with 15th-c fragments of clifflets and plants; part of tree, part of border at top, and green grass all medieval intrusions; external corrosion, moderate generally, severe on the body of Edmund.
h 0.335m, w 0.275m
G. Plumb (1989, col. trans., CVMA inv. no. 014612)

2a. Scalloped lozenge-shaped panel of running naturalistic maple-leaf grisaille, with branches from a central stem with meander-and-dot pattern, and from the sides, and with a beaded fillet with relieved large and small circles. The quarries have strapping on 0, 1, 2 or 4 sides. White glass, with trace-line, matt wash, and relieving. c.1280 – c.1320. One quarry on right is a modern repaint; some of old ones have medium exterior corrosion.
h 0.47m, w 0.315m
DK (2008)

3a. St John the Evangelist and St James sit side by side against a blue background with a white diapered floor in an oval medallion with a white border with a single line. John wears a green mantle over a pot-yellow robe and holds a book out to his right hand and points at it with his left. James, with pot-yellow mantle over a green robe, hold a book out to his left and points to it with his right hand; he also wears a soft red hat. One foot of each of the Apostles overlaps the border. Across their laps runs a scroll with a text in relieved lombardic script 'Joh(ann)es Jacobvs'. White, green, pot-yellow, blue and ruby glass, with trace-line, thick matt wash, and relieving. c.1250. Both heads missing and replaced on left by part of a 15th-c head and on the right by a 14th-c one; glass heavily corroded and some parts opaque; some repair leads.
h 0.335m, w 0.275m
G. Plumb (1989, col. trans., CVMA inv. no. 014613)

Borders of light a. Fragments, including a piece of large blackletter script ('Orate'), border pieces with a lozenge within a quatrefoil, micro-architecture, and pieces of blue and ruby. 14th-c and 15th-c.
h 1.48m, w 0.53m
DK (2008)

1b. St Edmund offers up the arrows to heaven, kneeling, nimbed and facing to sinister, wearing a crown and pot-yellow mantle over a green robe, with blue hose, both feet overlapping the border, decorated with a single line. Blue background, white clouds at top and white grass at bottom, all in an oval medallion with a white border with a single line. c.1250. ²⁴ Two pieces of blue background new; panel heavily corroded; a few repair leads.
G. King & Son (1957–59, col. trans., CVMA inv. no. 011231; G. Plumb (1989, col. trans., CVMA inv. no. 014611)
h 0.335m, w 0.275m

2b. Scalloped lozenge-shaped panel of running naturalistic maple-leaf grisaille, as 2a, but complete. c.1280 – c.1320. Light–medium exterior corrosion; some paint loss; two repair leads.
h 0.47m, w 0.315m
G. King & Son (1957–59, col. trans., CVMA inv. no. 011232)

3b. The execution of a martyr takes place on a grassy knoll against a blue sky with white clouds at the top, from which protrudes the hand of God. On the right kneels a bearded figure facing to dexter with hand raised in prayer, wearing a white mantle over a green robe; on the left a man in a pot-yellow tunic and pale-green hose holds the martyr’s hair with his left hand while raising a sword with his right, all an oval medallion with a white border with meander-and-dot pattern. ²⁵ White, blue, green, pot-yellow and possibly pale-green glass, with trace-line and thin matt wash. c.1250. Two pieces of border missing and replaced with modern pot-yellow glass; small piece of blue background may be renewed; panel very badly affected by corrosion, with face of martyr and figure of executioner almost opaque (particularly unfortunate in view of the completeness of the panel).
h 0.335m, w 0.275m
DK (2008)

Borders of light b. As light a of this window.
h 1.48m, w 0.53m
DK (2008)

sIII.

1a. Lower part Panel of stiff-leaf grisaille with trefoil leaves and cross-hatching based on an inverted square of beaded fillet within a quatrefoil, with a central green boss. Two units survive, overlapping a circle of ruby with a lozenge and circle border and another central green boss. To left and right are half-quatrefoils on blue glass. White, red, green and blue glass, with trace-line and cross-hatching. c.1250. Much of the stiff-leaf in the upper unit is modern, and some if not all of the blue background may be too. White glass has moderate corrosion and paint loss, with a few pieces almost opaque. Upper part A figure of St Philip, nimbed and bearded, standing against a blue background within a border of alternating cross-hatching and quatrefoils, facing to sinister, wearing a ruby mantle and holding a basket of loaves in his left hand. He stands on a blank floor, which overlaps the border and lower down has a chequered pattern. White, ruby and blue glass, with trace-line, thin matt wash, and yellow stain. c.1370 – c.1390. Ruby and blue glass in very poor condition with heavy corrosion; some of ruby mantle patched with plain ruby; impossible to discern any pattern or modelling on the mantle or background; white glass in better condition, with some paint loss; several repair leads. Panel from trefoil-headed tracery light with sloping base, point to right; area outside this made up with fragments of micro-architecture of 14th-c and 15th-c, with modern beaded fillet down the sides.
h 1.405m, w 0.34m
G. King & Son (1957–59, col. trans., CVMA inv. no. 011233, 011234); NMR BH514_18 (1979, col. trans., CVMA inv. no. 016813); G. Plumb (1989, col. trans., CVMA inv. nos. 014620, 014621)

2a. Fragments, including a barbed cinquefoil set on a trefoil-headed octofoil leaf ornament of the late 14th-c with a made-up square border with one piece of 14th-c border with relieved lozenges and circle and four new ones; outside this are fragments of micro-architecture of the 14th-c and 15th-c. White glass, with trace-line, stipple shading, relieving, and yellow stain. At the top is a roundel with a dove set on a glory of painted and relieved rays . White glass, trace-line, thin matt wash, relieving, and yellow stain. 15th-c. Small section cut out at top and filled with ruby glass; modern white fillet.
h 0.475m, w 0.34m
G. King & Son (1957–59, col. trans., CVMA inv. no. 011233)

1b. Lower part Panel of stiff-leaf grisaille, as 1a. c.1250. Lower half of the stiff-leaf of the upper unit is modern. Upper part A figure of St James the Less, with blue nimbus and bearded, standing against a ruby background within the same border as the panel of St Philip, facing to dexter, wearing a white mantle over a brown robe, holding a fuller’s bat in his right hand. He stands on a yellow floor, with chequered pattern lower down. White, ruby, blue and brown glass, with trace-line, smear shading, and yellow stain. c.1370 – c.1390. Ruby, blue and brown glass has heavy corrosion; white glass has some corrosion and paint loss; part of border and one piece of pedestal patched; several repair leads. Panel from trefoil-headed tracery light with sloping base, point to right; area outside this is made up with fragments of micro-architecture of the 14th-c and a yellow-stain and a green disc, with modern beaded fillet down the sides.
h 1.405m, w 0.34m
G. King & Son (1957–59, col. trans., CVMA inv. no. 011233, 011236); B. Haward, NMR BH514-17 (1979, col. trans., CVMA inv. no. 016812); G. Plumb (1989, col. trans., CVMA inv. nos. 014622, 014623, 014626, 014630)

2b. Fragments, including the cinquefoil in a square border as in 2a of this window, but with two 14th-c pieces of border. This is set on fragments of maple-leaf grisaille as in sII, and pot-yellow 14th-c border pieces with relieved quatrefoils and circles. The old border pieces are almost opaque with corrosion. Above is a fine nimbed head of an Apostle facing to dexter, bald and bearded, probably of St Paul. White glass, with trace-line, stipple shading, relieving and yellow stain, c.1450 – c.1460.
h 0.475m, w 0.34m
G. King & Son (1957–59, col. trans., CVMA inv. no. 011233)

A1. Trefoil tracery opening with fragments, including a circular piece with a cross patty set against a background with relieved circles; a circular piece with an eagle displayed argent, a rose gules on its breast (the badge of Sir Thomas Erpingham); a head of the Christ Child against a glory; part of an angel playing a lute; part of a rose-en-soleil quarry; and part of a glory. All second half of the 15th-c. In the top cusp is a rose with an earlier version of the same border as on the two Apostles in this window, c.1330 – c.1350. White glass, with trace-line, stipple shading, relieving and yellow stain. Good condition.
h 0.315m, w 0.315m
G. King & Son (1957–59, col. trans., CVMA inv. no. 011233); G. Plumb (1989, col. trans., CVMA inv. no. 014631)

sIV.

1a. A circular panel of fragments of the Nativity scene from the tracery of sII, including parts of the heads of the ox and ass, part of the nimbed head of the Christ Child, a staff (perhaps belonging to Joseph), and drapery. White glass, with trace-line, stipple shading, and perhaps yellow stain. c.1408–12. Moderate to heavy external corrosion. All surrounded by a border of fragments, including 14th-c border pieces and 15th-c rod and leaf.
d 0.27m
DK (2008)

1b. A tracery light from sII with the Resurrection of Christ. The nimbed Christ rises from the tomb facing to sinister against a black background, with hands raised and a cross staff with pennon to his left. On the right is a sleeping soldier, and a helmet and feathered crest are seen on the left. The base of the panel is a jumble of fragments, including the armour of one or more other soldiers. White glass, with trace-line, stipple shading, and perhaps yellow stain. c.1408–12. Moderate–heavy external corrosion; several heavy repair leads.
h 0.33m, w 0.175m
DK (2008)

1c. Flemish Roundel: St Anne with a book and the Virgin with the Christ Child sitting on an ornate throne, with lions holding shields sitting on the sides; above is the Holy Spirit as a dove. ²⁶ White glass, with trace-line, thin and thick matt wash, stipple shading, relieving, and yellow stain, c.1525. Two strap leads; several cracks stuck edge to edge and plated; some paint loss.
d 0.24m
DK (2008)

North Aisle

nIII.

1a. A musical angel in a quatrefoil stands nimbed and winged against a circular background with a floral diaper facing to sinister, wearing an alb with yellow-stain apparel and playing a vielle. The quatrefoil is set in a modern ruby circular border with blue background. White glass, with trace-line, stipple shading and yellow stain. c.1430 – c.1440. Some exterior corrosion and a little paint loss.
d 0.24m
G. King & Son (1957–59, col. trans., CVMA inv. no. 011230)

2a. An archbishop stands against a blue-seaweed-diaper background, facing to dexter, wearing a pallium over a fringed dalmatic patterned with cinquefoils and an alb with yellow-stain apparel, holding a cross-staff in his left hand and raising his right in blessing, all within a border cusped at the top and with a fillet of alternating relieved crosses and a pattern of four circles. White and blue glass, with trace-line, stipple shading, and yellow stain. c.1390 –c.1415. Triangle covering middle part of figure; left hand missing and replaced by drapery from elsewhere; border, except for one piece, and blue ground very corroded; several repair leads.
h 0.375m, w 0.23m
G. King & Son (1957–59, col. trans., CVMA inv. no. 011228); G. Plumb (1989, col. trans., CVMA inv. no. 014617)

3a. A canopy top with a central three-windowed octagonal tower with a triple-gabled roof, flanked by two pillars with pendant bosses on each side, on a ruby ground. White and ruby glass, with trace-line, stipple shading, matt wash, and relieving. c.1390 – c.1415. Canopy not from this window. Panel made up at top with blue and ruby fragments, and at the sides with pot-yellow glass; some of the white glass is dark brown with corrosion; a few repair leads.
h 0.33m, w 0.49m
G. King & Son (1957–59, col. trans., CVMA inv. no. 011229)

1b. The crowned and bearded St Edward the Confessor stands facing to sinister, wearing a white mantle with ermine tippet and yellow-stain hem over a white robe, holding a sceptre in his right hand and a ring in his left, all against a ruby-seaweed diaper within a white border with beaded fillet. Technique as 2a of this window. c.1390 – c.1415. Bottom half of figure replaced by part of 15th-c figure holding staff; at base are intruded pieces of micro-architecture; white glass of figure well preserved, but that of border and ruby ground very corroded and almost opaque.
G. King & Son (1957–59, col. trans., CVMA inv. no. 011226); G. Plumb (1989, col. trans., CVMA inv. no. 014619)
h 0.385m, w 0.21m

2b. The head and shoulders of a figure of a nimbed archbishop, who stands facing to sinister in a canopied niche with spiral columns, wearing a mitre and grey alb, and with a cross staff. White glass, with trace-line, stipple shading, matt wash, relieving, and yellow stain. c.1500 – c.1520. Piece suffers some paint loss; other disparate fragments used to make up figure, including hand carrying book, piece of drapery with Franciscan triple-knotted cord, and the feet and lower drapery of seated figure (possibly of God the Father). It has been suggested that the figure may represent St Louis of Toulouse, but he does not carry a cross staff, and the triple-knot on its own does not support the identification. ²⁷ The made-up figure is set within a confection of large-scale canopy pieces of varying origin, including two seated lions at the top. Technique as the figure. c.1450 – c.1500.
h 0.75m, w 0.32m
G. Plumb (1989, col. trans., CVMA inv. no. 014629)

3b. roundel with large pot-yellow sunburst, set in blue border. Pot-yellow and blue glass, with trace-line. Late 14th-c or 15th-c. Very corroded; border fragmentary and probably not original.
d 0.21m
DK (2008)

4b. A canopy top with a central niche surrounded by three crocketted gables and four crocketted finials set on a blue background. White and blue glass, with trace-line, stipple shading, matt wash, and relieving. c.1390 – c.1415. Canopy does not come from this window. Panel made up at sides with ruby glass; some of blue may not be original; a few repair leads.
h 0.36m, w 0.49m
G. Plumb (1989, col. trans., CVMA inv. no. 014628)

1c. A musical angel in a quatrefoil stands nimbed and winged against a circular background with a floral diaper, facing to dexter, wearing an alb with yellow-stain apparel, and playing a gittern with a plectrum. The quatrefoil is set in a modern ruby circular border with blue background. White glass, with trace-line, stipple shading, and yellow stain. c.1430 – c.1440. Some exterior corrosion; quite severe paint loss.
d 0.24m
DK (2008)

2c. A bishop or archbishop stands against a blue-seaweed-diaper background, facing to dexter, wearing a fringed dalmatic over an alb with yellow-stain apparel, holding a staff in his left hand and raising his right in blessing, all within a white border. White and blue glass, with trace-line, stipple shading, and yellow stain. c.1390 – c.1415. Head of staff missing and replaced by top of crozier from elsewhere; upper part of body replaced by what appears to be part of angel with dalmatic; diaper and border very corroded (no pattern discernible on border).
h 0.385m, w 0.21m
G. King & Son (1957–59, col. trans., CVMA inv. no. 011227); G. Plumb (1989, col. trans., CVMA inv. no. 014618)

3c. A canopy top, as 3a.
h 0.33m, w 0.49m
G. Plumb (1989, col. trans., CVMA inv. no. 014627)

A1. Two roundels: a rose above, on white glass with trace-line and yellow stain, with plain border, 14th-c; a modern rose below.
h 0.385m, w 0.185m (whole light)
DK (2008)

A1. Two roundels: a barbed cinquefoil above, on white glass with trace-line and yellow stain, with plain border, 14th-c, two repair leads; a modern rose below.
h 0.385m, w 0.185m (whole light)
DK (2008)

A3. Two roundels: a barbed sexfoil above, on white glass with trace-line and yellow stain, with plain border, 14th-c, one repair lead; a modern rose below.
h 0.385m, w 0.185m (whole light)
DK (2008)

A4. Two roundels: above, an octofoil on white glass with plain border; trace-line and yellow stain, 14th-c; one repair lead; below, a modern rose.
h 0.385m, w 0.185m (whole light)
DK (2008)

B1. Two roundels: a blue double rose above, blue glass with trace-line, 15th-c, several repair leads; an orange quatrefoil below, orange glass with trace-line, 15th-c.
h 0.635m, w 0.185m (whole light)

B2. Two roundels: an orange double rose above, orange glass with trace-line, 15th-c; a blue double rose below, blue glass with trace-line, 15th-c.
h 0.635m, w 0.185m (whole light)
DK (2008)

B3. Two roundels: a red rose above, ruby glass with trace-line, 15th-c, one repair lead; a yellow double rose below, pot-yellow glass with trace-line, 15th-c.
h 0.635m, w 0.185m (whole light)
DK (2008)

B4. Two roundels: a yellow double rose above, pot-yellow glass with trace-line, 15th-c; a blue rose below, blue glass with trace-line, 15th-c.
h 0.635m, w 0.185m (whole light)
DK (2008)

C1. A red rose set on a background of seaweed diaper with yellow stain. 15th-c. Yellow stain very worn on lower half; several repair leads; panel made up to fit light, with modern clear border and piece of medieval ruby at top.
h 0.45m, w 0.185m (whole light)
DK (2008)

C2. A yellow double rose, otherwise, as C1 of this window, with pot-yellow glass.
h 0.45m, w 0.185m (whole light)
DK (2008)

D1. A roundel with a yellow lion mask set on a quatrefoil with blue background and a relieved beaded fillet. Pot-yellow, white and blue glass, with trace-line, matt wash, relieving, and yellow stain. Late 14th-c. Part of lion mask on left missing and replaced with white glass; many cracks and repair leads; panel made up to fit opening with modern clear glass.
h 0.29m, w 0.29m (whole light)
DK (2008)

D2. A roundel of white glass that may have had a design, with modern yellow-stain border, set on a made-up quatrefoil of fragments of medieval ruby glass with a modern green border and white fillet.
h 0.29m, w 0.29m (whole light)
DK (2008)

E1. The top of a finial with vine leaves. Pot-yellow glass, with trace-line. 14th-c. Set on modern white glass.
h 0.25m, w 0.14m (whole light)
DK (2008)

E2. The top of a finial with vine leaves. Pot-yellow glass or white glass with yellow stain, with trace-line. 14th-c or modern copy. Set on modern white glass.
h 0.25m, w 0.14m (whole light)
DK (2008)

F1. Modern chalice surmounted by cross, in vesica.

nIV.

2a. A shield in a cartouche with the arms of Pulteney: in the upper half, Argent a fess dancetty gules in chief 3 lions’ heads erased sable, in the lower half Argent a fess between 3 lozenges gules impaling argent a chevron between 3 rooks or ravens proper. The bearers of the impaled arms have not been identified. The argent field of the first two coats has a relieved foliage diaper. The cartouche is of blue leaves and berries bound with a strap, with human heads left and right; at the top is a lion mask in an elaborate setting and below are two grotesque heads either side of a pillar, all on white glass with yellow stain. White, ruby and blue glass, with trace-line, thick and thin matt wash, stipple shading, relieving, and yellow stain. c.1540 – c.1580. Lower motif on cartouche is intrusion; a few repair leads; some paint loss.
h 0.395m, w 0.30m
DK (2008)

1b. A modern blackletter inscription.

2b. A roundel with a large relieved capital initial 'C', with a background diaper of relieved circles. White glass, with trace-line, thick matt wash, relieving, and yellow stain. Late 14th-c. Blue border modern; one repair lead.
d 0.22m
DK (2008)

3b. A modern blackletter inscription.

2c. A shield in a cartouche with the arms of Lee of Quarendon, Quarterly 1 & 4 Argent on a fesse azure between 3 unicorns’ heads erased proper armed or 3 files each charged with a lily plant proper, 2 & 3 Argent a fesse sable between 3 lions’ heads erased sable, on a inescutcheon of pretence argent a fesse between 3 crescents sable. Same cartouche as 2a of this window, but with human heads top and bottom. Technique and date as 2a. Several repair leads.
h 0.395m, w 0.30m
DK (2008)

nV.

2a. A royal crown of the type worn by Henry VIII. White glass with trace-line, matt wash, relieving and yellow stain. 1509–1547.
Measurements not available
DK (2008)

2b. A royal crown of the type worn by Henry VIII. White glass with trace-line, matt wash, relieving, and yellow stain. 1509–1547. Not same design as 2a of this window.
Measurements not available
DK (2008)