Chancel

I.

4b. Angel bearing the shield of Wingfield quartering Delapole. Quarterly 1 & 4 Argent on a bend 3 pairs of wings conjoined in lure of the field (Wingfield), 2 & 3 Azure a fesse between three leopards’ heads or (Delapole). The arms of William Delapole, Duke of Suffolk, 1415–1450. These quarterings are normally in reverse order, but this shield has definitely not been placed inside-out and is completely original. Shield held by a demi-angel with long outstretched wings wearing a white tunic and cross-diadem, placed on a blue cloud against a glory and ruby and purple clouds. Along the bottom is a border with three horizontal stripes of red, white and blue glass (the white has an undulating pattern) punctuated by wavy stars. White, ruby, blue and purple glass with trace-line, stipple shading, and relieving. Yellow stain on some of the stars, the glory, the Delapole fesse and leopards’ faces, and the angel’s tunic and hair; conjoined wings abraded from flashed ruby; argent of the Wingfield quarters and the Delapole fesses decorated with a relieved foliage diaper. 1440 or shortly after. Blue glass of the Delapole quarters heavily corroded and almost opaque; parts the border new; repair leads on the head and glory.
h 0.452m, w 0.648m
G. King & Son (col. trans., CVMA inv. nos. 011182–83); G. Plumb (col. trans., CVMA inv. nos. 014442–43); NMR 127/Z/13 (1970-75, b&w print, CVMA inv. no. 009694)

4c. Angel bearing the shield of Beaufort. Quarterly 1 & 4, France modern, 2 & 3 England, all within a bordure gobony azure and ermine (Beaufort). The arms of Thomas Beaufort, Duke of Exeter (d.1426). Setting with angel and technique as 4b, except that the angel’s tunic has a seaweed diaper and the fleurs-de-lys are drilled insertions. 1440 or shortly after. Parts of ruby ground replaced with medieval fragments; repair leads on the glory, parts of which are new; two estoiles in border replaced by foliage; blue glass of the France modern heavily corroded. Shield probably originally in 4d.
h 0.445m, w 0.642m
G. King & Son (col. trans., CVMA inv. nos. 011182, 011184, 011189–90); G. Plumb (1975, col. trans., CVMA inv. nos. 014424, 014439); NMR 127/Z/13 (1970–75, b&w print, CVMA inv. no. 009694)

4d. Angel bearing the shield of the Holy Trinity. The field is gules with a relieved foliage diaper, and the inscription is 'pat(er) non est filius / pat(er) non est sp(iri)c(us) s(an)c(tu)s / filiu(s) non est sp(iri)c(us) s(an)c(tu)s / pat(er) est deus / filius est deus / sp(iri)c(us) s(an)c(tu)s est deus'. Setting with angel and technique as 4b. White, blue and flashed-ruby glass, with trace-line, matt wash, relieving, and yellow stain. 1440 or shortly after. Blue glass of background to either side of the shield opaque with corrosion; light external pitting on some of the drapery; repair leads on the glory.
h 0.434m, w 0.638m
G. Plumb (col. trans., CVMA inv. nos. 014423, 014440); G. King & Son (col. trans., CVMA inv. nos. 011182, 011185); NMR 127/Z/12 (b&w print, CVMA inv. no. 009696)

4e. Angel playing a lute or gittern with a plectrum. Angel wears a white tunic. Technique and setting as in 4b, but angel not from this panel. 1440 or shortly after. Top half of head new and ruby glass at top new; middle part of instrument patched with old glass; medieval ruby glass of background has lost some of the flash; a little paint loss on the glory. NMR 127/Z/17 and 127/Z/12 (b&w prints, CVMA inv. nos. 009695–96); G. Plumb (col. trans., CVMA inv. nos. 014423–24, 014441); G. King & Son (col. trans., CVMA inv. nos. 011182, 011186, 011192)
h 0.435m, w 0.638m
NMR 127/Z/17 and 127/Z/12 (b&w prints, CVMA inv. nos. 009695–96); G. Plumb (col. trans., CVMA inv. nos. 014423–24, 014441); G. King & Son (col. trans., CVMA inv. nos. 011182, 011186, 011192)

4f. Angel bearing the shield of Bardolf quartering Philip. Quarterly 1 & 4, Azure three cinquefoils or (Bardolf), 2 & 3 Quarterly gules and argent, on the first quarter an eagle displayed or (Philip). Here again, the wife’s quartering is placed first. The arms of Sir William Phelip, styled Lord Bardolf (d.1441). Setting and technique as in 4b. Cinquefoils and eagles pot-yellow glass; the former also have drilled insertions. 1440 or shortly after. Some external pitting on drapery and glory, which suffers from paint loss; head badly broken and disfigured by repair leads, also seen on shield and ground.
h 0.453m, w 0.64m
NMR 127/Z/17 (b&w print, CVMA inv. no. 009695); NMR BH036_02 (1980, col. trans., CVMA inv. no. 016735); G. King & Son (col. trans., CVMA inv. nos. 011182, 011187); G. Plumb (col. trans., CVMA inv. nos. 014423, 014438)

A3. Principality standing facing to sinister with pot-yellow wings, wearing a blue mantle with ermine tippet with a patterned edge and a crown, holding a sceptre in the left hand and pointing to the right with the other. A king kneels before, facing to dexter in profile with hands raised in prayer, wearing a crown, green mantle with rosette pattern, pot-yellow belt, and ermine tippet. Above is a scroll that has lost its blackletter text, except for ' [o]rdo'. Figures set on ruby ground powdered with estoiles and at base is blue cloud. White, blue, flashed ruby, green and pot-yellow glass, with trace-line, stipple shading, matt wash, relieving, and yellow stain. 1440 or shortly after. Head of angel a good modern replacement.
h 1.098m, w 0.274m
G. Plumb (1975 col. trans., CVMA inv. nos. 014423–24, 014427–31); G. King & Son (col. trans., CVMA inv. nos. 011182, 011189–90); NMR 127/Z/14 (1970–75, b&w print, CVMA inv. no. 009694)

A4. Principality. Design and technique as A3, but reversed. 1440 or shortly after. Head original, although defaced with repair leads; tippet with hand may be new; scroll has lost all of its inscription. ⁶⁹ Medium external corrosion on much of the glass.
h 1.10m, w 0.274m
G. Plumb (1975, col. trans., CVMA inv. nos. 014423–24, 014427–28, 014429, 014432); G. King & Son (col. trans., CVMA inv. nos. 011182, 011189–90); NMR 127/Z/13 (1970–75, b&w print, CVMA inv. no. 009694)

A5. Power standing facing to sinister with left foot raised and three pairs of blue wings, wearing full plate armour including a bascinet with burlet, holding a birch in the right hand and in the left a chain that is attached to a dark-yellow dog-like creature below with green dragon’s wings. Above is a scroll that has lost its inscription and below is blue cloud. ⁷⁰ Background and technique as A3. 1440 or shortly after. Piece between right leg and arm new, also a small piece on the right of the burlet; much of the glass has medium external corrosion and some paint loss.
h 1.097m, w 0.273m
G. Plumb (col. trans., CVMA inv. nos. 014423–24, 014435–36); NMR 12/Z/17 and 12/Z/12 (1970–75, b&w prints, CVMA inv. nos. 009695–96); G. King & Son (col. trans., CVMA inv. nos. 011182, 011192)

A6. Power. Design, colours and technique as A3, but reversed. 1440 or shortly after. Much of the figure and ruby background are a modern replacement based on that in A5.
h 1.102m, w 0.273m
NMR 127/Z/17 and 12/Z/12 (1970–75, b&w prints, CVMA inv. nos. 009695–96); G. King & Son (col. trans., CVMA inv. nos. 011182, 011192); G. Plumb (1975, col. trans., CVMA inv. nos. 014423–24, 014435)

B1. Archangel standing facing originally to sinister (the head has been replaced by a modern head facing to dexter), with green wings, wearing a ruby dalmatic fringed on the wearer’s right over an alb, pointing with left hand to an open book held in the right. Above the figure is a convoluted scroll with a blackletter inscription: ' [Ordo]/ arch/a(n)gelo[rum] ', the first word being replaced by some upside-down letters ending in ‘a’. Below is a church with purple steeple and roof. The whole is set on a blue background powdered with estoiles. Technique as A3. 1440 or shortly after. Some estoiles look new; medium external corrosion and some paint-loss on scroll and alb; repair leads on figure, scroll and church.
h 1.44m, w 0.268m
G. Plumb (col. trans., CVMA inv. nos. 014423, 014425–26); G. King & Son (col. trans., CVMA inv. nos. 011182, 011188); NMR 127/Z/13 (1970–75, b&w prints, CVMA inv. nos. 009694)

B2. Inscription. This panel would originally have contained the mirror-image of B1; only the scroll with blackletter inscription and background as B1 survives, set on modern plain quarries: 'Ordo archa(n)gelor(um) '.1440 or shortly after. Medium external corrosion on scrolls and a few repair leads.
h 1.455m, w 0.269m (medieval glass h. 0.405)
G. Plumb (col. trans., CVMA inv. nos. 014423, 014425); G. King & Son (col. trans., CVMA inv. nos. 011182, 011188); NMR 127/Z/13 (1970–75, b&w print, CVMA inv. no. 009694)

B3. Fall of the Rebel Angels. The crowned head and arms of a fallen angel who has turned into a red devil with a bat-like face. He has a large decorated collar and holds a sceptre in his right hand. Part of a wing and pot-yellow flames are visible. Blue background. White, blue, pot-yellow and flashed ruby glass, with trace-line, stipple shading, matt wash, relieving, and yellow stain. 1440 or shortly after. Only central part of the panel survives, set on modern plain quarries; ruby flash worn; medium external corrosion on the collar.
h 1.455m, w 0.275m (medieval glass h. 0.404m)
G. King & Son (col. trans., CVMA inv. nos. 011182, 011191); G. Plumb (1975, col. trans., CVMA inv. nos.014423–24, 014433); NMR 127/Z/12 (1970–75, b&w print, CVMA inv. no. 009696)

B4. Fall of the Rebel Angels. Design, colours and technique as B3, but more complete. Above the head are white wings with yellow-stain spots and a large red hairy and spiked body with claws at the top. Above this are red flames. Below are more yellow flames and part of what appears to be the maw of hell with spiked teeth. Yellow stain also used on collar and sceptre, and also on blue maw to give green effect. 1440 or shortly after. Bottom section of panel missing; two pieces of wing modern insertions; parts of body patched with ruby glass; ruby flash worn; medium external corrosion.
h 1.446m, w 0.276m (medieval glass h. 1.085m)
G. King & Son (col. trans., CVMA inv. nos. 011182, 011191); G. Plumb (1975, col. trans., CVMA inv. nos. 014423–24, 014433–34); NMR 127/Z/12 (1970–75, b&w print, CVMA inv. no. 009696)

C2. Quatrefoil with stars and sun. A blue ground is powdered with estoiles and a single large sunburst on white glass with yellow stain. Matt wash, relieving, and yellow stain. 1440 or shortly after. Some of the blue background new; some external corrosion on the sunburst.
h 0.62m, w 0.275m
G. Plumb (1975, col. trans., CVMA inv. nos. 014423–24, 014427); G. King & Son (col. trans., CVMA inv. nos. 011182, 011190); NMR 127/Z/13 (1970–75, b&w print, inv. no. 009694)

C3. Quatrefoil with stars and sun. As C2.
h 0.607m, w 0.28m
NMR 127/Z/17 (1970–75, b&w prints, CVMA inv. nos. 009695–96); G. King & Son (col. trans., inv. nos. 011182); G. Plumb (1975, col. trans., CVMA inv. nos. 014423–24, 014435)

D2. Trefoil with stars and sun. A ruby ground powdered with estoiles and a single large sunburst on white glass with yellow stain. Matt wash, relieving, and yellow stain. 1440 or shortly after. One estoile replaced by a border pattern; much of ruby ground new.
h 0.916m, w 0.273m
G. Plumb (1975, col. trans., CVMA inv. nos. 014423–24, 014427); G. King & Son (col. trans., CVMA inv. nos. 011182, 011190); NMR 127/Z/13 (1970–75, b&w print, inv. no. 009694)

D3. Trefoil with stars and sun. As D2. Ruby ground mainly; there is corrosion on the sunburst.
NMR 127/Z/17 and 127/Z/12 (1970–75, b&w prints, CVMA inv. nos. 009695–96); G. King & Son (col. trans., inv. nos. 011182); G. Plumb (1975, col. trans., CVMA inv. nos. 014423–24, 014435)
h 0.92m, w 0.27m

J1. Quatrefoil with estoile. A single estoile in white glass with yellow stain on a blue ground.
h 0.265m, w 0.255m
G. King & Son (col. trans., CVMA inv. no. 011182); G. Plumb (1975, col. trans., CVMA inv. no. 014423)

J2. Quatrefoil with estoile. As J1.
h 0.265m, w 0.255m
G. King & Son (col. trans., CVMA inv. no. 011182); G. Plumb (1975, col. trans., CVMA inv. no. 014423)

nII.

A1. The patriarch ?Enoch standing with long forked beard, facing to sinister and wearing a blue hat with a white hood, white mantle and tippet, which has a yellow-stain pattern of relieved circles, over a blue robe. His hands are raised, and the left one holds the end of a scroll with the blackletter inscription 'p(at)riarcha / Enoch'. The patriarch stands on blue cloud, and there is a red background powdered with yellow estoiles. Yellow stain is used to decorate the drapery. White, blue and flashed-ruby glass, with trace-line, stipple shading, matt wash, relieving, and yellow stain. 1440 or shortly after. Most of ruby background and blue clouds are new; light external pitting. The name on the scroll is new, and almost certainly a copy of the original, as it appears among the water-colour details painted by G. A. King. ⁷¹
h 0.80m, w 0.26m
G. Plumb (1975, col. trans., CVMA inv. nos. 014443, 014446); G. King & Son (col. trans., CVMA inv. nos. 011193); NMR 124/Y/33, 127/Y/11 and 127/Y/12 (1970–75, b&w prints, CVMA inv. nos. 009697, 009699–700)

A2. The prophet Elisha standing facing to dexter, with a long beard, wearing a white robe and mantle and blue a hat with a scroll bearing in blackletter 'helizeus popheta' [sic]’. ⁷² Setting and technique as A1. 1440 or shortly after. Ruby ground at top and centre left, second word on scroll, and bottom piece of blue sky new; light exterior pitting on the old glass; paint loss on the face.
h 0.81m, w 0.26m
G. King & Son (col. trans., CVMA inv. nos. 011194); G. Plumb (1975, col. trans., CVMA inv. nos. 014443, 014446); NMR 124/Y/33, 127/Y/10 and 127/Y/9 (1970–75, b&w prints, CVMA inv. nos. 009697, 009701–702); NMR BH067_05 (1980, colours transparency, CVMA inv. no. 016754)

A3. St Laurence, cardinal, nimbed, standing facing to sinister, wearing a red cardinal’s hat with tassel and a red mantle over a white robe, holding a book in his left hand. On a scroll over his head in blackletter is 'S(an)c(tu)s / Laurenci(us) '. At the base is blue cloud, and there is a blue background powdered with yellow estoiles. Yellow stain decorates the book. Technique as A1. 1440 or shortly after. Right side of robe and the bottom of left side new, as are parts of cloud and background; ruby flash on old red glass badly worn; other glass has light-medium external pitting; a few repair leads.
h 0.72m, w 0.26m
NMR 124/Y/33, 125/L/2 and 127/Y/6 (1970–75, b&w prints, CVMA inv. nos. 009697–98, 009703); G. King & Son (col. trans., CVMA inv. nos. 011195); G. Plumb (1975, col. trans., CVMA inv. nos. 014443–44); NMR BH067_05 (1980 col. trans., CVMA inv. no. 016754)

A4. St Felicissimus, cardinalAs A3, but facing to dexter and holding the book in both hands. On the scroll is 'S(an)c(tu)s / Ffe/licissim(us) / cardi(nalis) '. Technique and colour as A3. 1440 or shortly after. Only the left and right extremities of the hat and left shoulder of mantle are in old ruby glass; new are right-hand part of the scroll, blue ground at the top, clouds either side of estoile on the lower right, and the three top estoiles; old ruby glass has heavy corrosion; scroll disfigured by repair leads.
h 0.72m, w 0.26m
G. Plumb (1975, col. trans., CVMA inv. nos. 014443–44); G. King & Son (col. trans., CVMA inv. nos. 011196); NMR 124/Y/33, 125/L/2 and 127/Y/5 (1970–75, b&w prints, CVMA inv. nos. 009697–98, 009704); NMR BH067_05 (1980, col. trans., CVMA inv. no. 016754)

A5. The prophet Elijah stands facing to sinister, wearing a long blue hat, white mantle and blue robe, holding the end of a scroll on which is in blackletter 'he/lia/s / p(ro)ph(et)a'. Setting and technique as A1, except that two sunbursts are used instead of estoiles either side of the head. 1440 or shortly after. Hands and middle section of the drapery are new.
h 0.80m, w 0.26m
G. Plumb (1975, col. trans., CVMA inv. nos. 014443, 014445); NMR 124/Y/33, 125/L/2, 127/Y/1 and 127/Y/2 (1970–75, b&w prints, CVMA inv. nos. 009697–98, 009705–706); G. King & Son (col. trans., CVMA inv. no. 011197); NMR BH067_05 (1980, col. trans., CVMA inv. no. 016754)

A6. The patriarch Noah. Stands facing to dexter in profile, with a long beard and wearing a hat, a white tippet decorated with yellow-stain florets and foliage, white mantle, and blue robe. He holds a book in both hands. On a scroll in blackletter is 'Noe / pat(ri)archa'. Setting and technique as in A2. 1440 or shortly after. Red background at top and blue clouds below are new, as is hat; light–medium external corrosion.
h 0.81m, w 0.26m
G. Plumb (1975, col. trans., CVMA inv. nos. 014443, 014445); NMR 124/Y/33, 127/Y/3, 127/Y/4 (b&w prints, CVMA inv. nos. 009697, 009707–708); NMR BH067_05 (1980, col. trans., CVMA inv. no. 016754); G. King & Son (col. trans., CVMA inv. no. 011198)

D1. The patriarch Jacob standing facing forwards, wearing a white tippet and mantle decorated with yellow-stain, a blue robe with yellow-stain hem, a blue hat, and white hood. He has a long forked beard, raises his left hand in greeting, and holds a book in his left hand. On a scroll behind him is a blackletter inscription 'Jacob / pat(ri)archa'. Setting and technique as in A1. 1440 or shortly after. Blue cloud and part of book are modern replacements.
h 0.61m, w 0.26m
NMR 124/Y/33, 125/L/2, 127/Y/3 (1970–75, b&w prints, CVMA inv. nos. 009697–99); G. Plumb (1975, col. trans., CVMA inv. nos. 014443–44); NMR BH067_05 (1980, col. trans., CVMA inv. no. 016754)

D2. St Asterius, cardinal, nimbed, standing facing to dexter, and clothed as a cardinal as in A3, holding an open book in both hands. On a scroll behind him in blackletter is 'S(an)c(tu)s / Austeri(us) card(inalis) '. Setting and technique as in A3. 1440 or shortly after. All ruby glass replaced, except for one piece of mantle, which is very corroded; new are blue background, estoiles above nimbus, blue clouds, and right-hand estoile at bottom.
h 0.61m, w 0.26m
G. Plumb (1975, col. trans., CVMA inv. nos. 014443–44); NMR 124/Y/33, 125/L/2, 127/Y/7 (1970–75, b&w prints, CVMA inv. nos. 009697–98, 009710); NMR BH067_05 (1980, col. trans., CVMA inv. no. 016754)

nIII.

B1. Yellow disc with estoile on blue background, with four small yellow discs in foils. 1440 or shortly after. Disc is new.
h 0.20m, w 0.17m
DK (2008)

B2. As B1. 1440. Estoile is original, but with worn paint.
h 0.20m, w 0.17m
DK (2008)

C1. Large yellow sunburst on ruby background, with small sunbursts top and bottom. 1440 or shortly after. Large sunburst cracked with paint loss.
h 0.33m, w 0.20m
DK (2008)

C2. As C1, but reversed. 1440 or shortly after. Ruby flash is worn and has a hole in it.
h 0.33m, w 0.20m
DK (2008)

E1. Fragments, with modern clear glass in centre.
h 0.09m, w 0.13m
DK (2008)

sII.

A2. The Prophet Jonah standing facing to dexter, wearing a blue hat, white mantle, and blue robe. With his right hand he holds a scroll with 'Jonas / p(ro)pheta' in blackletter. Setting and technique as nII A1. 1440 or shortly after. One piece of ruby ground just above the inscription on the right, one piece of mantle below the central blue of the robe, and the top piece of blue sky on the left are modern replacements; some paint loss; medium external corrosion.
h 0.80m, w 0.26m
NMR BH067_04 (before 1970, col. trans., CVMA inv. no. 016753); NMR 127/Y/16 (1970–75, b&w print, inv. no. 009714); G. King & Son (col. trans., CVMA inv. no. 011204)

A5. The prophet Daniel standing facing to sinister, wearing a blue hat and robe with white mantle. On a scroll behind the figure in blackletter is 'Daniel / p(ro)pheta'. Setting and technique as nII A1. 1440 or shortly after. Parts of ruby ground at top, two estoiles and blue cloud are modern; a little paint loss; medium exterior corrosion.
h 0.80m, w 0.26m
NMR BH067_04 (before 1970, col. trans., CVMA inv. no. 016753) G. King & Son (col. trans., CVMA inv. no. 011205); NMR 127/W/2, 127/W/3 (1970–75, b&w prints, CVMA inv. nos. 009715–16)

D1. St Margaret of Antioch standing against a blue background with seaweed diaper in a canopied niche on an ears-of-barley floor, facing to sinister, wearing a ruby mantle over a white robe decorated with a yellow-stain pattern of florets. She is crowned and nimbed and holds a book in her right hand and a cross-staff in the left with which she impales the throat of a dragon lying at her feet. Trace-line, stipple shading, matt wash, relieving, and yellow stain. c.1444 and c.1475. This panel has been moved at an unknown date from sVI, where it was re-used from an earlier window. The original shape of trefoil head of the panel is visible at the top, as is that of the extended blue background added when the panel was re-used; the panel has been further extended with mainly medieval blue glass to fit its present location. Two bottom pieces left and right are new; some paint loss on face and canopy; a few repair leads; external corrosion generally light, heavier on ruby drapery.
h 0.62m, w 0.26m
NMR 127/Y/14 (1970–75, b&w print, CVMA inv. no. 009717); NMR BH067_04 (before 1970, col. trans., CVMA inv. no. 016753); G. King & Son (col. trans., CVMA inv. no. 011207)

D2. St Catherine of Alexandria. As D1, but facing to the dexter and carrying a sword in her left hand and the barbed wheel in the right. Setting, technique and condition as D1, except that two sections of the pedestal and shafting and bottom right piece of diaper are new as well.
h 0.62m, w 0.26m
G. King & Son (col. trans., CVMA inv. no. 011206); NMR BH067_04 (before 1970, col. trans., CVMA inv. no. 016753); NMR 127/Y/13 (1970–75, b&w print, CVMA inv. no. 009718)

sIII.

A2. Fragments in top trefoil, including blue hat, ruby background, and a yellow estoile in each foil. 1440 or shortly after. Rest of light has modern plain quarries.
h 0.80m, w 0.26m
DK (2008)

B1. Large yellow estoile, blue background, and four small stars, one in each foil. 1440 or shortly after.
h 0.20m, w 0.17m
DK (2008)

B2. As B1, with paint loss on large estoile.
h 0.20m, w 0.17m
DK (2008)

C2. Large yellow sunburst on ruby background, with yellow star at top. 1440 or shortly after. Ruby missing except in top foil.
h 0.33m, w 0.20m
DK (2008)

E1. Fragments.
h 0.09m, w 0.13m
DK (2008)

North Aisle

A1. A lily-pot fills an eyelet. White glass, with trace-line, thick matt wash, relieving, and yellow stain. c.1420 – c.1430. The bottom two-thirds painted in 1911; medium external corrosion on old glass.
h 0.72m, w 0.20m
G. Plumb (col. trans., CVMA inv. nos. 014467–68)

A2. A lily-pot, as A2. c.1420 – c.1430. Complete, except for two small pieces on the left; heavily corroded.
h 0.72m, w 0.20m
G. Plumb (col. trans., CVMA inv. no. 014467)

B1. A nimbed censing angel with two pot-yellow wings kneels in a canopied niche against a blue-seaweed diaper, facing to sinister, swinging a censer in the right hand, and wearing a ruby robe. Trace-line with stipple shading and yellow stain. c.1420 – c.1430. Glass in head of light repainted in 1911, together with bottom part of robe and pedestal; blue and ruby glass very corroded on both sides; almost opaque; moderate external corrosion on white and pot-yellow glass.
h 0.90m, w 0.26m
G. Plumb (col. trans., CVMA inv. nos. 014467–69); NMR 127/W/8 (1970–75, b&w print, CVMA inv. no. 009711); G. King & Son (col. trans., CVMA inv. no. 011199)

B2. The Virgin Mary from her Coronation sits in a canopied niche against a ruby-seaweed diaper, inclined to her right with hands raised in prayer, wearing a blue mantle over a white robe. She holds a scroll, which passes behind her head, bearing the blackletter text 'Gaudeb[o in domi]no (et) exultabit a(n)i(m)a mea i(n) d(e)o me(o) '. ⁷³ Technique as B1 of this window. c.1420 – c.1430. Virgin’s head, shoulder and arm repainted in 1911, when a dove was mistakenly added; before restoration a crown was visible over the head of the Virgin. ⁷⁴ Part of inscription is new, as are two pieces of side-shafting bottom left and one piece of canopy; ruby background very corroded on both sides and almost opaque; blue mantle heavily corroded on both sides.
h 0.93m, w 0.26m
G. Plumb (col. trans., CVMA inv. no. 014467)

B3. The figure of Gabriel is entirely modern.
h 0.93m, w 0.26m
G. Plumb (col. trans., CVMA inv. no. 014467)

B4. A censing angel, as B1 of this window, but reversed. c.1420 – c.1430. The robe was painted in 1911, together with part of the canopy top and two small pieces of shafting. Blue background very corroded and nearly opaque; external corrosion, moderate to pot-yellow glass, light–medium to white glass.
h 0.92m, w 0.26m
G. King & Son (col. trans., CVMA inv. no. 011201); G. Plumb (col. trans., CVMA inv. nos. 014467, 014470)

C1. Fragments of white glass with trace-line and yellow stain. c.1420 – c.1430.
h 0.09m, w 0.055m
G. Plumb (col. trans. CVMA inv. no. 014467)

C2. As C1, plus one piece of ruby glass. c.1420 – c.1430.
h 0.09m, w 0.055m
G. Plumb (col. trans. CVMA inv. no. 014467)

D1. Fragments of micro-architecture, probably modern.
h 0.16m, w 0.09m
G. Plumb (col. trans. CVMA inv. no. 014467)

D2. Fragments, including pale-green drapery with rosette pattern and micro-architecture. c.1420 – c.1430.
h 0.16m, w 0.09m
G. Plumb (col. trans. CVMA inv. no. 014467)

E1. Fragments, including micro-architecture, green and blue glass (c.1420 – c.1430), and an inscription (painted in 1911): ‘The glass in this tracery, painted in the 15th Cen. was restored to this its original position AD 1911; many missing parts being replaced with newly painted pieces marked with a X’.
h 0.27m, w 0.24m
G. Plumb (col. trans. CVMA inv. no. 014467)

North Transept

nVI.

B1. A personification of Mercy stands nimbed and wearing a diadem against a plain pot-blue ground powdered with estoiles on a pedestal with ears-of-barley pattern, facing forwards, her right hand pointing to sinister, wearing a white mantle with yellow-stain border over a plain ruby robe. A scroll over her head and down the right-hand side bears the blackletter inscription 'Misericordia et veritas', and on her mantle is 'm(isericord)ia', also in blackletter. ⁷⁵ Trace-line, stipple shading, hatching, and yellow stain. 1441 or shortly after. Lower part of robe and a section of mantle on left replaced in 1912; external corrosion, medium–heavy on ruby glass, light–medium on white; a few repair leads.
h 0.87m, w 0.26m
G. King & Son (col. trans., CVMA inv. no. 011203); G. Plumb (col. trans., CVMA inv. no. 014472)

B2. A personification of Truth, painted in 1912.
h 0.87m, w 0.26m
G. King & Son (col. trans., CVMA inv. no. 011203).

B3. A personification of Justice stands nimbed and facing to sinister, wearing a white mantle with yellow-stain hem over a plain ruby robe, her left hand holding a scroll that goes over her head, with the blackletter text 'iusticia (et) pax'. On the front of her mantle is 'iusticia' in blackletter. Setting and technique as B1 of this window. 1441 or shortly after. Complete, except for one piece of robe and one of mantle; external corrosion, generally moderate, heavier on face and ruby robe; face cracked and suffering from paint loss; paint loss on inscription on scroll; one or two repair leads.
h 0.87m, w 0.26m
NMR BB99/06789 (b&w print, CVMA inv. no. 009712); G. King & Son (col. trans., CVMA inv. no. 011202); G. Plumb (col. trans., CVMA inv. no. 014471)

B4. A personification of Peace stands nimbed and facing to dexter, holding an open book with 'veritas de terra orta est' on it in blackletter. On scroll rising over her head is 'Osculat[e] sunt', and on her mantle 'pax', both in blackletter. Setting, costume and technique as B3 in this window. 1441 or shortly after. The glass on which the head, book and name are painted dates from 1912, and the inscription on the book may not be original. Part of blue background on right and the top estoile also new; external corrosion, moderate on white glass, heavier on the ruby, which has lost some of its flashing; a few repair leads.
h 0.87m, w 0.26m
NMR BB99/06789 (1970–75, b&w print, CVMA inv. no. 009712); G. King & Son (col. trans., CVMA inv. no. 011202); G. Plumb (col. trans., CVMA inv. no. 014473)

C1. Modern fragments and a rectangular piece with an inscription: ‘This glass painted in the 15th century was restored to this its original position AD 1912. Many missing pieces being replaced and marked with a X. A.E.H. H.V.S. A.W.T. E.C.S.’ ⁷⁶
h 0.27m, w. 0.27m
NMR 125/L/27 (b&w print, CVMA inv. no. 009713); G. Plumb (col. trans., CVMA inv. no. 014474)

C2. Modern fragments.

D1. St Elizabeth from the Visitation, labelled 'S(anctus) Elisabeth' on her mantle and holding a scroll with 'B(e)n(e)d(i)cta tu inte(r) mulieres'. Painted in 1912.
h 0.82m, w 0.26m
DK, NMR 125/L/27 (1970–75, b&w print, CVMA inv. no. 009713); DK 2008

D2. The Virgin from the Visitation, labelled 'S(ancta) Maria' on her mantle and holding a scroll with 'Mag/nificat/ anima mea D(o)m(i)n(um) '. 1441 or shortly after. Only second section of inscription is medieval; rest of the panel painted in 1912. Moderate–heavy external corrosion.
h 0.82m, w 0.26m
DK, NMR 125/L/27 (1970–75, b&w print, CVMA inv. no. 009713); NMR 125/L/27; DK 2008.

D1–2, E1–2. Modern fragments.

South Transept

A1. St Thomas of Canterbury stands against a blue background with seaweed diaper in a canopied niche on an ears-of-barley floor with body turned to dexter, wearing ruby chasuble, blue dalmatic, yellow tunicle coloured with silver stain, a white alb with silver-stain apparel, and pallium, and carrying a book in his left hand and a cross-staff in his right. White, blue and ruby glass, with trace-line, stipple shading, matt wash, and relieving. c.1444, re-used c.1470 – c.1475. Original shape of trefoil head of panel visible at top; panel extended with mainly medieval blue glass to fit present tracery light; head of archbishop missing, but panel otherwise complete, with a little paint loss on canopy; internal brown corrosion on ruby; moderate external pitting; a few repair leads; one piece of added blue glass is new.
h 0.62m, w 0.28m
NMR, Carrick Collection (1978, col. trans., CVMA inv. no. 005206); G. Plumb (1975, col. trans., CVMA inv. nos. 014447–49); G. King & Son (col. trans., CVMA inv. nos. 011208–209); NMR BH036_04 (1980, col. trans., CVMA inv. no. 016736); NMR 125/L/14 (1970–75, b&w print, CVMA inv. no. 009686)

A2. Donor figure: Thomas Brigg kneeling, facing to dexter against a ruby background with seaweed diaper in a canopied niche on an ears-of barley pedestal, in front of an altar-tomb covered with a cloth decorated with a leaf pattern, with hands raised in prayer, wearing a blue girded tunic with fur edging at neck and sleeves. A scroll passes behind his head, with the blackletter text 'Benedi/cat / virgo / maria' (the ‘m’ obscured by a glazing bar). Technique as A1. c.1444, reused c.1470 – c.1475. Panel extended to fit the present opening; lower part of figure missing and replaced with white glass; architecture below is fragmentary with intrusions of medieval glass; further intrusions in the upper part of the panel, including two pieces of purple glass; repair leads disfigure this area and the face.
h 0.69m, w 0.29m
NMR, Carrick Collection (1978, col. trans., CVMA inv. no. 005206); G. King & Son (col. trans., CVMA inv. nos. 011208–209); NMR BH036_04 (1980, col. trans., CVMA inv. no. 016736); G. Plumb (1975, col. trans., CVMA inv. nos. 014447–48, 014450); NMR 125/L/14, 125/L/15 (1970–75, b&w prints, CVMA inv. nos. 009686–87)

A5. Donor figure: Margaret Brigg kneeling facing to dexter against a ruby background with seaweed diaper in a canopied niche on an ears-of-barley pedestal, with hands raised in prayer, before an altar-tomb, wearing over a kirtle a blue bag-sleeved gown with fur cuffs. On a scroll that goes behind her head is an incomplete blackletter text 'Nos'. Technique as A1. c.1444, reused c.1470 – c.1475. Large area to right of figure missing and replaced by white glass and one intrusion of medieval glass; area above original panel made up with medieval blue glass as in A1; adapted to fit opening; face and robe suffer from heavy external corrosion.
h 0.66m, w 0.28m
NMR, Carrick Collection (1978, col. trans., CVMA inv. no. 005206); G. Plumb (1975, col. trans., CVMA inv. nos. 014447, 014451–52); NMR 125/L/17, 125/W/13, 125/W/14 (1970–75, b&w prints, CVMA inv. nos. 009688–90); G. King & Son (col. trans., CVMA inv. no. 011208); NMR BH036_04 (1980, col. trans., CVMA inv. no. 016736)

A6. Donor figure: Margaret Brigg. Originally a figure made to the same design as that in A5, but reversed, and with a different canopy type. Technique as A1. c.1444, re-used c.1470 – c.1475. The panel has been installed inside-out, almost certainly when re-used c.1470 – c.1475. The inscription on the scroll reads: 'No/s cum / pro'. Adapted to fit present opening. Head and surrounding area replaced by intruded fragments of medieval glass (part of a feathered angel with raised hand – the original head is now in sVIII 4b); sections to left and right of this part and also two pieces bottom right now modern white glass; inside-out glass has medium pitting on both sides.
h 0.66m, w 0.28m
NMR, Carrick Collection (1978, col. trans., CVMA inv. no. 005206); G. Plumb (col. trans., CVMA inv. nos. 014447, 014451, 014453); NMR 125/L/17 (1970–75, b&w print, CVMA inv. no. 009690); G. King & Son (col. trans., CVMA inv. no. 011208); NMR BH036_04 (1980, col. trans., CVMA inv. no. 016736)

C1. The Virgin Mary, from the Annunciation. She kneels in a canopied niche against a ruby background with hands raised and body facing to dexter, originally looking back over her shoulder to the sinister (the head is missing), wearing a blue mantle over a white robe powdered with 'MR' monograms. A vase of lilies stands in front of her, and below this is a chequered pedestal decorated with a quatrefoil pattern. In her left hand she holds the end of a scroll that runs over her head and down the left side bearing in blackletter 'Ecce ancilla d(omi)ni / fiat / m(ih)i s(ecun)d(um) verb[um] '. Technique as A1. c.1444, reused c.1470 – c.1475. Adapted to fit the present opening; most of white robe replaced by medieval blue glass; further intruded fragments on right side of canopy and side-shafting; made up at base with brown glass, which may be old; external corrosion, light on ruby and blue glass; heavier on the white glass at the bottom.
h 0.76m, w 0.28m
NMR, Carrick Collection (1978, col. trans., CVMA inv. no. 005206); NMR 125/L/15 (1970–75, b&w print, CVMA inv. no. 009691); G. King & Son (col. trans., CVMA inv. nos. 011208, 011210); NMR BH036_04 (1980, col. trans., CVMA inv. no. 016736); G. Plumb (1975, col. trans., CVMA inv. nos. 014447, 014448, 014454)

C2. Gabriel, from the Annunciation. In a similar setting to that in C1 Gabriel kneels facing to dexter, holding a sceptre in his left hand and the end of a scroll in his right; this bears the blackletter text 'Ave gracia plen/a'. He wears a diadem and a ruby gown over feathered tights. Technique as A1. c.1444, reused c.1470 – c.1475. Adapted to fit the present opening; pieces making up the canopy shaft on right inside-out; glass filling out the panel at the base brown and possibly old; inside-out pieces suffer from paint loss; ruby very heavily corroded, with brown crust on inside; light exterior corrosion on other glass.
h 0.75m, w 0.27m
NMR, Carrick Collection (1978, col. trans., CVMA inv. no. 005206); G. King & Son (col. trans., CVMA inv. nos. 011208); NMR 127/W/16 (1970–75, b&w print, CVMA inv. no. 009692); NMR BH036_04 (1980, col. trans., CVMA inv. nos. 016736, 016756); G. Plumb (1975, col. trans., CVMA inv. nos. 014447, 014455)

E1. The Virgin Mary, from a Coronation of the Virgin. She sits facing to sinister enthroned in a canopied niche against a ruby ground with seaweed diaper on an ears-of-barley pedestal, with raised hands (now lost), wearing a crown and a blue mantle over a white robe powdered with silver-stain florets. Below the pedestal are plants. The panel is adapted to fit the present opening. Technique as A1. c.1444, re-used c.1470 – c.1475. Adapted to fit the present opening; parts of canopy top on left have been replaced by medieval fragments, also part of pedestal on right, where most of the intrusions are inside-out, including some at base; one fragment has hand holding perhaps a palm and part of a figure; some paint loss; external corrosion, generally medium, heavier on ruby glass; flashing worn.
h 0.71m, w 0.28m
NMR, Carrick Collection (1978, col. trans., CVMA inv. no. 005206); G. King & Son (col. trans., CVMA inv. no. 011208, 011211); G. Plumb (col. trans., CVMA inv. nos. 014447, 014456); NMR BH036_04 (1980, col. trans., CVMA inv. nos. 016736, 016756); NMR 127/W/17 (1970–75, b&w print, CVMA inv. no. 009693)

E2. God the Father, from a Coronation of the Virgin. In a setting identical to that in E1, but more complete, God sits crowned and enthroned wearing a blue mantle over a white robe powdered with silver-stain florets and with a hem decorated with stain. He faces to the dexter (the head is largely gone), his right hand raised in blessing and his left holding a tripartite orb. Technique as A1. c.1444, reused c.1470 – c.1475. Adapted to fit the present opening; missing head replaced with modern white glass; one piece of ruby ground on the left replaced; panel made up at base with medieval fragments; condition otherwise as E1.
h 0.71m, w 0.28m
NMR, Carrick Collection (1978, col. trans., CVMA inv. no. 005206); G. King & Son (col. trans., CVMA inv. nos. 011208, 011211); NMR BH036_04 (1980, col. trans., CVMA inv. nos. 016736, 016756); G. Plumb (1975, col. trans., CVMA inv. nos. 014447, 014457)

sVII.

A1. St Giles stands nimbed in a canopied niche with ruby-seaweed-diaper ground and ears-of-barley pedestal, facing to sinister, holding a crozier in his right hand and pointing with his left to a hind that leaps up in front of him. An arrow pierces the saint’s left leg. He wears a blue habit with cowl. There are two small pieces of blue background at the top. c.1470 – c.1475. Trace-line, stipple shading, relieving, and yellow stain. Panel complete except for face, replaced with white glass; moderate–heavy exterior corrosion; a few repair leads.
h 0.66m, w 0.23m
NMR BH067_06 (1980, col. trans., CVMA inv. no. 016755); G. King & Son (col. trans., CVMA inv. no. 011212); NMR 127/W/19 (1970–75, b&w prints, CVMA inv. nos. 009719); G. Plumb (col. trans., CVMA inv. no. 014460)

A2. St Etheldreda stands facing to dexter, crowned and nimbed, holding a crozier in her left hand and wearing a blue habit with cowl. Setting, colours and technique as A1 of this window, except that the diaper is pale purple. c.1470 – c.1475.Right hand with any attribute missing and replaced by piece of blue glass; two pieces of canopy and pedestal replaced by fragments; moderate–heavy external corrosion; a few repair leads.
h 0.66m, w 0.23m
NMR BH067_06 (1980, col. trans., CVMA inv. no. 016755); G. King & Son (col. trans., CVMA inv. no. 011212); NMR 127/W/18, 127/W/20 (1970–75, b&w prints, CVMA inv. nos. 009720–21); G. Plumb (col. trans., CVMA inv. no. 014461)

A4. St Helen stands crowned and nimbed facing to dexter, holding a cross in her left hand and a book in her right, wearing a white veil and wimple and a green mantle over a white robe. Setting and technique as A1 of this window, with blue ground at top and behind figure. One unusual feature is that the figure has the paint on the outside, and it is consequently very worn. A figure of the saint in stock must have been used, despite the fact that it faced the wrong way. ⁷⁷ Background and setting painted on inside as normal. c.1470 – c.1475. Exterior corrosion, moderate on setting, heavy on figure; a few repair leads.
h 0.66m, w 0.23m
NMR BH067_06 (1980, col. trans., CVMA inv. no. 016755); G. King & Son (col. trans., CVMA inv. no. 011213); NMR 127/V/21 (b&w print, CVMA inv. no. 009722); G. Plumb (col. trans., CVMA inv. no. 014462)

B1–2. Pot-blue eyelets. c.1470 – c.1475.
h 0.095m, w 0.065m
DK (2008)

C2. A foliage eyelet with relieved seaweed pattern. White glass, with thick matt wash, trace-line, and relieving. c.1470 – c.1475. Tip missing and replaced with white glass; medium external corrosion; no trace of yellow stain, which may have worn off.
h 0.27m, w 0.15m
NMR BH067_06 (1980, col. trans., CVMA inv. no. 016755); G. King & Son (col. trans., CVMA inv. no. 011214)

E2. Bottom part of similar, now opaque eyelet. c.1470 – c.1475. Made up with modern white glass.
h 0.27m, w 0.15m

D1. A musical angel stands facing to sinister in a canopied niche with an ears-of-barley pedestal, nimbed, with two pairs of wings, playing a lute or gittern with a plectrum and wearing a feathered costume against a blue seaweed diaper. Technique as A1 of this window. c.1470 – c.1475. Complete, except for two small insertions of blue above head; medium–heavy external corrosion; some repair leads.
h 0.74m, w 0.24m
NMR BH067_06 (1980, col. trans., CVMA inv. no. 016755); NMR 127/Z/4 (1970–75, b&w prints, CVMA inv. no. 009723); G. King & Son (col. trans., CVMA inv. no. 011214); G. Plumb (col. trans., CVMA inv. no. 014459)

D2. A musical angel, as D1 of this window, but facing to dexter and playing a harp. c.1470 – c.1475. Complete, except for two intrusions of medieval glass, top left on canopy and at bottom of harp; light–medium external corrosion; one or two repair leads.
h 0.74m, w 0.24m
NMR 127/Z/1 (1970–75, b&w print, CVMA inv. no. 009724); G. King & Son (col. trans., CVMA inv. no. 011215); G. Plumb (col. trans., CVMA inv. no. 014458)

E4. In situ fragment of canopy in top cusp. c.1470 – c.1475. Rest filled with modern plain quarries.
h 0.895, w 0.27m (whole light)
NMR BH067_06 (1980, col. trans., CVMA inv. no. 016755)

F2. Bottom part of pod eyelet. White glass, with trace-line, thick matt wash, relieving, and yellow stain. c.1470 – c.1475. Heavy exterior corrosion; one repair lead.
h 0.60m, w 0.22m (whole light)
G. King & Son (col. trans., CVMA inv. no. 011215)

G2. Pot yellow eyelet. c.1470 – c.1475.
h 0.11m, w 0.04m
DK (2008)

H3. A censing angel, nimbed, wearing a purple fringed dalmatic over a white alb, facing to sinister with left knee bent, swinging a censer with the right hand, standing on an ears-of-barley polygonal pedestal against a blue background with stars and clouds. Trace-line, matt wash, relieving, yellow stain. A rather weak, sketchy style, different from the other glass in this window. c.1470 – c.1475. Complete, except for piece with chain of censer, now modern white glass; heavy external corrosion; one or two repair leads.
h 0.44m, w 0.25m
NMR 127/W/22 (1970–75, b&w print, CVMA inv. no. 009725); G. King & Son (col. trans., CVMA inv. no. 011216); G. Plumb (col. trans., CVMA inv. no. 014463)

I1. Pot-blue eyelet. c.1470 – c.1475.

DK (2008)

E2. Pot-yellow eyelet. c.1470 – c.1475.

DK (2008)

sVIII.

4a. Canopy top with lion sitting on central finial. Black background with relieved circles. White glass, with trace-line, scribbling, thick and thin matt wash, relieving, and yellow stain. c.1410 – c.1420. Top part of lion missing or opaque; piece of intruded blue-seaweed diaper to left of lion; light exterior corrosion; some repair leads.
h 0.39m, w 0.61m
NMR 127/Z/9 (1970–75, b&w print, CVMA inv. no. 009730. DK (2008)

4b. Fragmentary canopy top with large central arch and eagle sitting on top finial. Plain ruby ground at top and blue at sides. Female head facing to sinister intruded under arch, moved from sVI. Piece of blackletter below head. Trace-line, stippling, scribbling, and yellow stain. c.1410 – c.1420, head c.1444. Sides of canopy very fragmentary with stop-gaps; light exterior corrosion; repair leads.
h 0.36m, w 0.61m
NMR 127/Z/6, 127/Z/7, 127/Z/11 (1970–75, b&w prints, CVMA inv. nos. 009728, 009731–32); G. Plumb (col. trans., CVMA inv. nos. 014465–66)

4c. Canopy top, as 4a of this window, but with no intruded head. c.1410 – c. 1420. Top part of lion missing and replaced by modern white glass; central part patched with intruded fragments, including blackletter; several repair leads.
h 0.375m, w 0.61m
NMR 127/Z/10 (1970–75, b&w print, CVMA inv. no. 009733); DK (2008)

B2. Fragments at top of light of canopy, probably from this window, and part of a shield, Argent a plain cross sable (Priory of Norwich), with foliage diaper in field. White glass, with stipple shading, trace-line, thick matt wash, and yellow stain. c.1410 – c.1420. Rest glazed with modern plain quarries.
h 0.875m, w 0.255m (whole light)
NMR 127/Z/5 (1970–75, b&w print, CVMA inv. no. 009734); DK (2008)

B3. Fragments of a canopy top, with round central tower. White glass, with stipple shading, trace-line, and yellow stain. c.1410 – c. 1420. Pieces slightly misplaced; rest glazed with modern plain quarries.
h 0.875m, w 0.255m
NMR 127/Z/5 (1970–75, b&w print, CVMA inv. no. 009734); DK (2008)

sIX.

A1. Central part of foliage eyelet. White glass, with trace-line, thick matt wash, relieving, and yellow stain. c.1410 – c.1420. One repair lead.
h 0.62m, w 0.17m (whole eyelet)
DK (2008)

A2. Incomplete central part of eyelet with sunburst. White glass, with thick matt wash, relieving and yellow stain. c.1410 – c.1420.
h 0.62m, w 0.17m (whole eyelet)
DK (2008)

B2. Fragments in upper part of light. c.1410 – c.1420.
h 0.82m, w 0.23m (whole light)
DK (2008)

B3. Fragments in upper part of light, including pot-blue. c.1410 – c.1420.
h 0.82m, w 0.23m (whole light)
DK (2008)

sXI.

A1. Central part of eyelet with sunburst. White glass, with thick matt wash, relieving, and yellow stain. c.1410 – c.1420. Medium external corrosion; one repair lead.
h 0.62m, w 0.17m (whole eyelet)
DK (2008)

A2. Eyelet with sunburst. White glass, with thick matt wash, relieving and yellow stain. c.1410 – c.1420. Light–medium external corrosion; several repair leads.
h 0.61m, w 0.18m
DK (2008)

sXII.

1b. Fragments of blackletter inscription: ' [egre]dere de'', 'deus pr[ovidebit] ', 'archa'. ⁷⁸ White glass, with trace-line. c.1410 – c.1420. Medium exterior corrosion.
h 0.07m, w 0.43m
NMR (1970–75, b&w print, CVMA inv. no. 009729); G. King & Son (col. trans., CVMA inv. no. 011218)

4a. Fragmentary canopy top, with a central round tower and opaque sections of background. ⁷⁹ Trace-line, stipple shading, yellow stain. Same design as that in 4c of this window. Also part of a scroll with ‘cipias’ in blackletter. c.1410 – c.1420. Coloured background opaque with corrosion; displaced and intruded fragments; repair leads.
h 0.37m, w 0.62m
G. King & Son (col. trans., CVMA inv. no. 011217); NMR 127/7/16 (1970–75, b&w print, CVMA inv. no. 009726)

4b. Fragmentary canopy top, with a large central arch on which sits and eagle. Trace-line, stipple shading and yellow stain. Same design as sVIII 4b. c.1410 – c.1420. Coloured glass background opaque; displaced and intruded fragments; repair leads; some paint loss.
h 0.33m, w 0.61m
DK (2008)

4c. Fragmentary canopy top, with a central round tower and opaque sections of background. Trace-line, stipple shading, yellow stain. Same design as that in 4a of this window. c.1410 – c.1420. Coloured background opaque with corrosion; displaced and intruded fragments; repairs leads.
h 0.37m, w 0.62m
DK (2008)

A2. Central part of an eyelet filling with estoile roundel with relieved circles in background. Thick matt wash, relieving, and yellow stain. c.1410 – c.1420. Incomplete and patched with part of glory; repair leads.
h 0.69m, w 0.15m
DK (2008)

B1. God the Father stands with cross-nimbus in a canopied niche with ruby background against a blue-seaweed diaper, facing to sinister, with left hand raised, wearing a plain white mantle over a white robe with seaweed-diaper pattern. On a scroll coming from his mouth is the blackletter text 'Nu/ [missing] /nec : res'. White, blue and ruby glass with trace-line, stipple shading, relieving, and yellow stain. c.1410 – c.1420. Bottom part of figure and setting missing and patched with modern white glass; intrusions of medieval glass around figure and at top; large opaque piece above head; heavy exterior corrosion; repair leads.
h 0.90m, w 0.25m (medieval glass h 0.69m)
NMR 127/7/16, 127/W/5, (1970–75, b&w prints, CVMA inv. nos. 009726–27); G. King & Son (col. trans., CVMA inv. no. 011219)

B2. God the Father stands in a canopied niche as B1 of this window, but much more fragmentary. Colours and technique as B1, except no ruby glass. c.1410 – c.1420. Only the head, a few pieces of drapery with the right hand, and some fragments of canopy survive; heavy external corrosion, especially on head.
h 0.9m, w 0.26m (medieval glass h 0.65m)
DK (2008)